I think everybody remembers a favourite childhood book. It
is something that evokes memories of mothers and fathers reading to their children,
the illustrations, the look and feel of a book, what the story moved in them at
that time and many other feelings and senses.
I recently asked some women of ‘a certain age’ what their
favourite childhood books were and the following were some of the most popular.
Some of them had wanted to fly like Peter Pan, some wanted a
friend like Peter in Heidi, others just got swept up in the adventures of the
Famous Five. Something in a book opened up a new world to them and they could
be part of that world.
Heidi by Johanna Spyri
Noddy, and all the books written by Enid Blyton
Peter Pan by J.M.Barrie
Alice in Wonderland by Lewis Carroll
Fairy stories and other stories by Hans Christian Andersen
The Secret Garden by Frances Hodgson Burnett
Milly-Molly-Mandy by Joyce Lankester Brisley
Hans Brinker or The Silver Skates by Mary Mapes Dodge
The Water-Babies by Charles Kingsley
Black Beauty by Anna Sewell
The Borrowers by Mary Norton
Anne of Green Gables by Lucy Maud Montgomery
The Little Prince by Antoine de Sainte-Exupéry
Little Women by Louisa May Alcott
The Velveteen Rabbit by Margery Williams
A rarer mention was: A Fairy to Stay by Margaret Beatrice
Lodge
So here I am at the last moment writing my Monday blog on Monday night. Would I be writing this if I hadn’t set myself this deadline to do a blog every Monday? Probably not.
So a deadline is something to work towards, and the nearer you get to it looming on the horizon, the darker and larger it seems to appear. It becomes a scary monster until you decide to deal with it. What happens if you go over that DEADLINE? Do you die? Do you let people down? Do you let yourself down?
So you do what you have to do and tick it off your list and turn to face the next big wave. Knowing the fear of leaving it to the last minute should make me do it earlier and make me more organized but I do not seem to learn. But if I didn’t have that deadline would I do it at all? Would I ever get things done? I know I achieve more with a deadline and often the motivation to get it done is the fear of failing the deadline. So I dive into each big wave as it comes towards me and come out the other side into a short few moments of safety to gird myself for the next breaker.
Hi folks, I’m Rob Peacock, originally from London, but have been living
and travelling in Ireland since 2013. My background is primarily in Special
Needs education, Young Offenders Advocacy, and Adult Literacy Education. I’m
very much into heritage crafts, and am a qualified saddler, bridle and harness
maker, which I’ve put to use over the years, working in stable-yards. I’m also
involved in Animal Welfare and am a qualified Wildlife Rehabilitator. I’ve
recently been updating my qualifications by undertaking a TEFL course, which
I’ll be using to teach street kids in the slums of Kenya.
2. What do you do when you are not
writing?
My current ‘day job’ is on the Newtowncashel Tidy Towns, where I
maintain the village and the local ‘Quarry’ sculpture park. I understand we’ve
won an award this year, so I’m quite proud of my efforts in the village and my
contribution to the local community!
Other than that, I freelance as a digital photo-illustrator, beta-reader,
copy editor and proof-reader.
I’m still a keen gardener, and the last couple of years, I’ve been into
growing giant vegetables – Atlantic Giant pumpkins and courgettes have been the
most successful.
3. When did you first start writing and
what was your first book?
I’ve been writing for years, mainly short stories and poems, just as a
hobby really. I’d pretty much stopped prior to coming to Ireland, though living
in Dublin provided plenty of experiences and characters to draw upon for
inspiration. I then moved to Co. Clare, and via a turn of events, I ended up
living homeless for a few months in a dolmen, not only for shelter, but hoping
to draw upon some spiritual connection and find a way forward. It was there
that I took up writing again on a more full-time basis.
My first self-published book was ‘Cara and the Mystery of the Missing
Ball,’ which is a forty-illustration full-colour picture story book aimed at
ages 4+, and depicts scenes from around the Irish countryside, with Cara
meeting animal friends who help guide her on her journey. The inspiration came from my travels with my
Borador, Cara. At the time, she was my living and travelling companion and we’d
photographed extensively around the country. I felt that it was a great
opportunity to compile my love of photography, travel and writing, and the
intention of my book was to raise money for animal welfare charities.
4. How did you choose the genre you
write in?
I chose writing for children, as I felt the process would be fun, and
that Cara would have great appeal, being the lively character she is. The
illustration aspect for producing a children’s book too, greatly lends itself to
the imagination in terms of devising and creating colourful images to
compliment the story. It was a great opportunity to teach myself digital art
production also.
Having worked with Special Needs children for years prior, I was keen to
devise a storyboard format, which features two images atop each page, and
compliments the narrative specific to that page. I had in mind young learners
who might not be proficient in reading, yet the story could be told by a parent
or carer, simply by referring to the illustrations in sequence, and told in
their own words.
5. Where do you get your ideas?
Life experiences, coupled with a little bit of imagination! I’m better
at working from a foundation based in reality, rather than inventing complete
fantasy scenarios
6. Do you ever experience writer’s
block?
Not really writer’s block. I’m more overwhelmed with ideas for projects
that may never take shape, or I’ll have a thought, and think ‘where or how can
I work that in somewhere.’ So I keep notebooks. The only block I have is
finding the confidence to put forward certain themes. I’m currently working on
a another ‘Cara’ book based on my time in Nyalenda slum, which is intended to
demonstrate to kids in privileged countries how relatively fortunate they are.
However, I’m being selective as to what I put in that book, as descriptions of
life for children in the slum are pretty harrowing, to say the least.
7. Do you work with an outline, or just
write?
My process is a combination of documenting experiences in notes and
photographs, and compiling the most relevant aspects in a story-telling
sequence. I then compose my manuscript, writing around the visual content as a
prompt for elements in the text.
8. Is there any particular author or book that influenced you in any way either growing up or as an adult?
Yes! Hilda Boswell – fantastic illustrator! I adored her work in various
compendiums of fairy-tales, very soft, ethereal imagery in beautiful pastel
shades. And by chance, she’d illustrated the ‘Strongheart’ comic-strip about
the adventures of a German Shepherd. It’s nice to know we’ve a ‘dog story’ in
common at least! She also studied at the same art college as my mother (Hornsey
School of Art), and she’d been a great fan of Beatrix Potter, who was one of the
first self-publishers.
I also enjoyed the work of Eric and Lucy Kincaid (Witches, Goblins,
Ogres…) and the illustrative style of Rien Poortvliet (World of the Gnomes).
The Steve Jackson ‘Fighting Fantasy’ series of books held great appeal
for me too, not only for the illustrations, but I loved the format – ‘You are
in a forest…turn to page X to fight the dragon/head into the cave’ etc.
There was also a story that I can’t remember the name of, in a
compendium of random stories, about a kid who left home, grew a beard, and
lived in a cave… Somehow I ended up doing just that!!
9. Can you tell us about your challenges
in getting your first book published?
The challenges I had with the first book were more to do with learning
how to use art applications, updating my word-processing know-how, learning how
to format, understanding level-appropriate language (it’s quite hard to
eliminate or downsize the ‘big’ words that we’d usually take for granted in
adult conversation) yet still offering ‘value for money’ with the word-count
and number of illustrations I’d present. This process of self-illustrating,
writing, editing, formatting took hundreds of hours. Both of my self-published
books were written and illustrated on a mobile phone with a rapidly dying
battery and a cracked screen. Lots of fun!
10. If you had to go back and do it all
over, is there any aspect of your book or getting it
published that you would change?
No, I wouldn’t change anything. I enjoyed the challenge and learnt a lot
about writing and producing a book. I was tempted to explore the traditional
publishing route, though I know that between dodging vanity presses, having
your work critiqued, edited and stripped back to fit in with a certain
criteria, and illustrated by ‘in-house’ illustrators, I rather stick to my own
way of doing things. It’d be a crying shame to have my work remastered into
some God-awful glossy Disneyesque bobble-head format that seems all the rage
these days.
11. How do you market your work? What
avenues have you found to work best for your genre?
For me, public appearances have worked best, and I enjoy the interaction
between author and audience. I’ve also raised money for charities this way,
with a percentage of sales going to good causes, minus the cost of printing
individual books. As a consumer myself, I can understand the reluctance to
purchase online. You don’t really get to see the content, and you’re never
really sure whether reviews are genuine or concocted via inter-writer book
swaps. I am online on Amazon, Instagram, and KidsActiveMedia, and have a few
free-to-access ‘live read’ podcasts which were kindly produced by patrons. My
books can also be found on the shelves of selected Irish libraries.
12. Is anything in your books based on
real life experiences or purely all imagination?
Ah it’s a mix of the two. I’m moving into writing biographical accounts,
aimed at adult readers, therefore the content will be entirely authentic.
Children’s books though, you need a bit of imagination to make the story more
fantastical!
13. How did you the come up with the
titles for your books?
The titles write themselves really. Cara, my dog, really did lose and
find her favourite ball. And my second book, ‘Cara and the Cauldron of the
Round Hill,’ was a play on the name of my locality, Cornadowagh in
Newtowncashel, which translates from the Irish ‘Cor na Dabhcha’ – ‘Round Hill
of the Cauldron.’ The townland is very picturesque, and is still replete with
fairy-forts and a belief in the superstitions surrounding hawthorn and
hedgerow!
14. Are there certain characters you would like to go back to, or is there a theme or idea you’d love to work with?
Cara is still my muse for my children’s books, even though she is now a
working Therapy Dog and resides with her current human.
I’m exploring new works with a view to bring attention to, and raise money
for, those living in abject poverty in the slums of Kisumu.
15. What is your role in the writing
community?
I attend the SCBWI Midlands Ireland Social Events and follow SCBWI Ireland events on Facebook. I gave a talk on self-publishing and illustration in conjunction with, Eileen Moynihan at one of these meetings. I am a member of the Independent Irish Author’s Collective, both Longford and Lanesboro Writers’ Groups, Newtowncashel Drama Group as the vice-chairman (though I’m more responsible for multimedia output, poster design, advertising and writing articles for the Longford Leader). I also support the Summer Stars Reading Initiative (children’s reading project) and am also available for beta-reading, editing and proofing.
16. What do your plans for future
projects include?
I’m working on further fund-raising children’s books, and moving into
photo-documentary and biographical writing, both of which are based on my
experiences and interactions in the slums of Kisumu. I’m keen to develop my
writing and visual format to include TEFL students (visual elicitation and CEFR
vocabulary) also.
17. What cultural value do you see in
writing/reading/storytelling
There’s immense cultural value in all of these, in terms of expressing
ideas, learning new things and sharing with communities near and far, and
prompting positive activism. For myself, I’m very much into the idea that the
creative arts can be utilised to connect and unite us on a global scale.
18. Have you any
advice to give to aspiring writers?
Keep at it! It can be a challenging and frustrating journey, but well
worth it when you get that first copy of your book in your hands. Just don’t
expect to make millions doing it!
19. Is there anything that you would
like to say to your readers and fans?
Sure, if anyone is interested in communicating or networking, drop me an
email at: robthesaddler@gmail.com
I’m not as active on social media as I should be (time limitations), but sure, I’d be happy to. write back.
Alternatively, type ‘Robert Peacock Cara’ into your search engine, and
you’ll find a bunch of stuff about me!
Hello everybody! I am starting anew today to write a blog. Maybe you can help me by telling me what you would like me to blog about. Do you want me to write about my books, my life as a writer, dos and don’ts, or all of those combined? Do you want me to interview other writers? Do you want a diary type blog? Do you want to know about my characters? I am looking forward for your advice to get me started.
